Facets
100$a: Main Entry - Personal Name / Personal name
- Neau, Jessy (1)
700$a: Added Entry - Personal Name / Personal name
- H., Wojciech (1)
22161214
Le cinéma de Wojciech J. Has au miroir de la littérature Jessy Neau 0
Bruxelles Peter Lang 20231 Pdf (36 Mo)
ISBN: 978-2-87574-777-8 terms of availability: 41 EUR,
summary: Cet ouvrage offre une réflexion sur l’adaptation cinématographique de la littérature, en prenant pour moteur la filmographie du réalisateur polonais Wojciech J. Has (1925-2000). Celui-ci a en effet fréquemment recouru à l’adaptation de textes littéraires, que ce soient ceux de Jean Potocki, de James Hogg ou d’Anton Tchekhov. Ses films parviennent d’ailleurs à créer un véritable dialogue entre ces textes littéraires pourtant très différents, tant au niveau de leur époque que de leurs thèmes. Cet ouvrage étudie ainsi plus précisément les films Manuscrit trouvé à Saragosse (1965), La Poupée (1968) ou encore La Clepsydre (1973), trois œuvres d’auteurs aux caractéristiques très différents – Jean Potocki, Bolesław Prus et Bruno Schulz –, écrites de la fin des Lumières à l’entre-deux guerres mondiales.. Il explore ainsi l’univers cinématographique incomparable du réalisateur polonais, et étudie la manière dont ce dernier construit, grâce à l’adaptation, de nouveaux modes d’intertextualité. Quelles interprétations des textes peuvent dès lors apparaître ? D’autre part, le choix de sources littéraires opéré par Has montre-t-il, de manière cryptée, certaines ressemblances repérées a posteriori entre ces divers textes eux-mêmes ? Les films de Wojciech Has permettent de stimuler l’étude du phénomène de l’adaptation et la redécouverte de trois œuvres littéraires riches et étonnantes .
Host Item: Repenser le cinéma,
| Authority names | |
| main personal names: |
Neau, Jessy,
titles: maîtresse de conférences en littératures comparées,
relationship: aut,
|
| additional personal names: |
H., Wojciech,
fuller form of name: Jerzy Has, Wojciech,
dates: 1925-....,
relationship: asn,
|
| additional corporate names: |
Peter Lang
Bruxelles ; Bern ; Berlin [etc.]
|
| Subjects | |
| topics: |
Film adaptations,
Motion pictures and literature, |
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| 520 | $a | Cet ouvrage offre une réflexion sur l’adaptation cinématographique de la littérature, en prenant pour moteur la filmographie du réalisateur polonais Wojciech J. Has (1925-2000). Celui-ci a en effet fréquemment recouru à l’adaptation de textes littéraires, que ce soient ceux de Jean Potocki, de James Hogg ou d’Anton Tchekhov. Ses films parviennent d’ailleurs à créer un véritable dialogue entre ces textes littéraires pourtant très différents, tant au niveau de leur époque que de leurs thèmes. Cet ouvrage étudie ainsi plus précisément les films Manuscrit trouvé à Saragosse (1965), La Poupée (1968) ou encore La Clepsydre (1973), trois œuvres d’auteurs aux caractéristiques très différents – Jean Potocki, Bolesław Prus et Bruno Schulz –, écrites de la fin des Lumières à l’entre-deux guerres mondiales.. Il explore ainsi l’univers cinématographique incomparable du réalisateur polonais, et étudie la manière dont ce dernier construit, grâce à l’adaptation, de nouveaux modes d’intertextualité. Quelles interprétations des textes peuvent dès lors apparaître ? D’autre part, le choix de sources littéraires opéré par Has montre-t-il, de manière cryptée, certaines ressemblances repérées a posteriori entre ces divers textes eux-mêmes ? Les films de Wojciech Has permettent de stimuler l’étude du phénomène de l’adaptation et la redécouverte de trois œuvres littéraires riches et étonnantes . | ||
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| 520 | ||||
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Leader
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- 504a_Bibliography_ss: Bibliographie. Références iconographiques
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- 520a_Summary_ss: Cet ouvrage offre une réflexion sur l’adaptation cinématographique de la littérature, en prenant pour moteur la filmographie du réalisateur polonais Wojciech J. Has (1925-2000). Celui-ci a en effet fréquemment recouru à l’adaptation de textes littéraires, que ce soient ceux de Jean Potocki, de James Hogg ou d’Anton Tchekhov. Ses films parviennent d’ailleurs à créer un véritable dialogue entre ces textes littéraires pourtant très différents, tant au niveau de leur époque que de leurs thèmes. Cet ouvrage étudie ainsi plus précisément les films Manuscrit trouvé à Saragosse (1965), La Poupée (1968) ou encore La Clepsydre (1973), trois œuvres d’auteurs aux caractéristiques très différents – Jean Potocki, Bolesław Prus et Bruno Schulz –, écrites de la fin des Lumières à l’entre-deux guerres mondiales.. Il explore ainsi l’univers cinématographique incomparable du réalisateur polonais, et étudie la manière dont ce dernier construit, grâce à l’adaptation, de nouveaux modes d’intertextualité. Quelles interprétations des textes peuvent dès lors apparaître ? D’autre part, le choix de sources littéraires opéré par Has montre-t-il, de manière cryptée, certaines ressemblances repérées a posteriori entre ces divers textes eux-mêmes ? Les films de Wojciech Has permettent de stimuler l’étude du phénomène de l’adaptation et la redécouverte de trois œuvres littéraires riches et étonnantes .
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- 536a_FundingInformation_ss: Avec le soutien du Centre universitaire de Mayotte.
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