20689891
A third gender beautiful youth in Japanese Edo-Period prints (1600-1868) Joshua S. Mostow and Asato Ikeda ; with the assistance of Ryoko Matsuba 0
Leiden Brill 2016215 p. ill. 24 cm
ISBN: 9780888545145
0888545142
summary: Gender relations were complex in Edo-period Japan (1603-1868). Wakashu, male youth, were desired by men and women, constituting a third gender; with their androgynous appearance and variable sexuality. For the first time outside Japan, A Third Gender examines the fascination with wakashu in Edo-period culture and their visual representation in art, demonstrating how they destabilize the conventionally held model of gender binarism. The volume will reproduce, in colour, over a hundred works, mostly woodblock prints and illustrated books from the eighteenth and nineteenth centuries produced by a number of designers ranging from such well-known artists as Okumura Masanobu, Suzuki Harunobu, Kitagawa Utamaro and Utagawa Kunisada, to lesser known artists such as Shigemasa, Eishi and Eiri. A Third Gender is based on the collection of the Royal Ontario Museum, which houses the largest collection of Japanese art in Canada, including more than 2,500 woodblock prints.
Introduction /Asato Ikeda Wakashu as a third gender and gender ambiguity through the Edo period /Joshua S. Mostow, Fleurs du mal : onnagata (female-role specialists) and nanshoku (male-male sex) in Edo-period kabuki /Ryoko Matsuba, translated by Joshua S. Mostow, Japanese art at the Royal Ontario Museum /Asato Ikeda, Catalogue of plates. Section 1, An introduction to the Edo period. Section 2, An introduction to wakashu ; how to spot one, Wakashu, chiefly alone, Younger wakashu, Kamuro.,
| Authority names | |
| additional personal names: |
Mostow, Joshua S.,
uri: https://isni.org/isni/0000000122821123,
relationship: aut
Ikeda, Asato, uri: https://isni.org/isni/0000000367726386, relationship: aut Matsuba, Ryoko, uri: https://isni.org/isni/0000000460194230, relationship: -clb |
| additional corporate names: |
Brill
Leiden ; Boston
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